tag:blogger.com,1999:blog-84063762011-04-21T16:50:39.470-07:00A repository for photographic terms, formulas and biographies on photojournalists of importance. This blog is a supplement to <a href=http://markhancock.blogspot.com>PhotoJournalism</a>.Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comBlogger1131100tag:blogger.com,1999:blog-8406376.post-18934022881050273072008-08-30T06:14:00.000-07:002008-09-01T20:24:56.534-07:00

The following schedule applies to photojournalistic assignments forMark M. Hancock and/or New Eagles photojournalists. NewspaperMagazinePrivate eventsReal Estate / architecturePublic relationsSmall businessesCorporationsDay RatesNonprofit discountsFulfillment serviceGeneral assignments are expected to last no more than two hours. Commercial assignments (corporate and advertising) are expected to

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The following fees are not included in the Assignment Fee of Mark M. Hancock and/or News Eagles services. All additional fees are considered separate from the Assignment Fee and are not part of any guarantees. Prices are subject to change without notice.Mileage55 cents per mile (to, from and during assignment)Post processing fee$15 per select image.Digital fee$ 5 per image for FTP transmission or

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-54533084621291001002007-12-02T11:06:00.000-08:002008-08-16T10:44:24.393-07:00

Mark M. HancockADDRESSPlano TX 75093Home: XXX XXX-XXXXCell: XXX XXX-XXXX E-mail: mark@newseagles.com(Client)ADDRESSCITY, STATE, ZIPPhone: XXX XXX-XXXXE-mail: RE: Assignment confirmationDear __________,Confirming our (telephone / e-mail) conversation today, I accept the assignment to photograph __(detailed)__."Photojournalist" refers to Mark M. Hancock. "Client" refers to the commissioning

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Model Release Date:__________Photographer: Mark M. Hancock123 Main Street #1234Plano, TX 75093Home (555) 555-5555Cell (555) 555-5555DESCRIPTION OF PHOTOGRAPHS: ______________________________For consideration received, I give Mark M. Hancock permission to reproduce the photograph(s), audio and/or video recording(s) described, and I agree that Mark M. Hancock, and all licensees and

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1162079117530084272006-10-28T16:43:00.000-07:002008-08-16T10:40:21.832-07:00

Mark M. HancockSS# 555-55-5555123 Main Street #1234Plano TX 75093Home (555) 555-5555Cell (555) 555-5555INVOICE# XYM06-10X Youth magazineAttn.: FULL NAME / Photo dept.777 Main StreetDallas, TX 7520210/31/2006Editorial assignment&nbsp &nbsp &nbsp Fee &nbsp &nbsp &nbsp &nbsp &nbsp &nbsp Date &nbsp &nbsp &nbsp &nbsp &nbsp &nbsp Description&nbsp &nbsp $300.00 &nbsp &nbsp &nbsp 10/24 &nbsp &nbsp &

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1162076499871953922006-10-28T15:54:00.000-07:002008-08-16T10:41:17.177-07:00

Mark M. HancockSS# 555-55-5555123 Main Street #1234Plano TX 75093Home (555) 555-5555Cell (555) 555-5555INVOICE# TDN06-10BThe Daily NewspaperAttn.: FULL NAME / Photo dept.555 Main StreetDallas, TX 7520210/31/2006Editorial assignments &nbsp &nbsp &nbsp Fee &nbsp &nbsp &nbsp &nbsp &nbsp &nbsp Date &nbsp &nbsp &nbsp &nbsp &nbsp &nbsp Assignment &nbsp &nbsp &nbsp Editor &nbsp &nbsp $110.00 &nbsp &

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A | B | C | D | E | F | G | H | I | J | K | L | MN | O | P | Q | R | S | T | U | V | W | X | Y | Z |Sample formsAacceleratoraccessoriesaccessory filter holderaccessory bagacid-free paperair brushAnimal locomotionaperture selectorauto bracketing (Back to top)BB&Wbalance barrelbaseball batbayonet mountbilling schedulebird's eye viewblack and whiteblindblowupblurboldbounce cardbounce

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1165161187541991202006-05-11T07:48:00.000-07:002006-12-03T07:53:07.646-08:00

(photographic films and papers) : The process of removal of unexposed and undeveloped halides by converting them to soluble salts. The salts can later be washed from the emulsion. This process makes images stable and unalterable when exposed to light.Also known as "fixing."(eye movements) : fixation occurs when eyes stop moving and light from an object's image falls on any point of the retina for

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1165159399031577542006-05-10T07:20:00.000-07:002006-12-03T07:57:01.270-08:00

The rapid, unperceivable movements eyes make when searching.Opposite : fixation.Please also see: How photojournalism affects the brain.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1152605920045685982006-05-09T01:15:00.000-07:002006-08-14T19:47:31.986-07:00

The way an artist approaches art from beginning to end. A style is a consistent combination of choices. Often an artist's style falls within one broad category and is further defined by the artist's preferences, skills, equipment choices, subject matter and final image treatment.Please also see What is style?

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1151312536859518072006-05-08T01:59:00.000-07:002006-06-26T02:02:17.013-07:00

On a lens barrel, an often colorful set of guide lines. These allow the photographer to estimate the total area of focus at different apertures.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1151311650267962042006-05-07T00:01:00.000-07:002006-06-26T01:53:26.830-07:00

A variable focal length range lens. Most maintain focus at any focal length adjustment along the continuum.Opposite: prime lens or fixed lens.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149582953667483522006-05-06T01:35:00.000-07:002006-06-06T01:35:54.593-07:00

The amount of space a subject occupies within an image. The relative percentage of an image occupied by a prominent feature.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149582813152645562006-05-05T01:32:00.000-07:002006-06-06T01:33:33.483-07:00

Short news item or filler.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149582695155132332006-05-04T01:31:00.000-07:002006-06-06T01:32:36.210-07:00

Slang, the act of utilizing all unexposed film on a roll for economic reasons. Squeezing is discouraged because it leads to misloads, and the possibility of missing critical photographic moments. Squeezed rolls of film typically capture 37 to 40 frames instead of a standard 36 frames. This often leads to damage of the extra frames during storage.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149582368882023802006-05-03T01:23:00.000-07:002006-06-06T01:26:15.490-07:00

A chemical compound added to developers to act as a preservative and prevent oxidation.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149582191864583392006-05-02T01:20:00.000-07:002006-06-06T01:23:16.766-07:00

In printing, any portion of a plate which is raised higher than the matrix.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149582018251259112006-05-01T01:19:00.000-07:002006-06-06T01:20:24.346-07:00

Generally, the image captured on film the instant of shutter release. Specifically, a hard copy image of a particular scene.In use, image is the preferred term during capture and processing while print is the preferred term for a final product printed on paper.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149581697516117612006-04-30T01:10:00.000-07:002006-06-06T01:15:05.986-07:00

A scale by which acidity and alkalinity is measured and balanced. Acid solutions contain free hydrogen (H) atoms, alkaline solutions contain oxygen and hydrogen atoms bonded together. Therefore, the pH balance is determined by the bonds per Hydrogen atom.

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In SLR viewing systems, a five-sided silvered prism which inverts and laterally corrects (left to right) images to appear correct to the eye on the ground glass viewing screen.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149581166291442372006-04-28T01:05:00.000-07:002006-06-06T01:06:10.280-07:00

Fast action or multiple camera configurations which allow subjects to be photographed (and stopped) at different stages of movement.

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Slang term, often negative and heard during critiques, for the indistinct or out-of-focus human figures in a photograph. Normally refers to figures which don't fall within the depth of field.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149580675449229202006-04-26T00:52:00.000-07:002006-06-06T00:58:03.920-07:00

The maximum opening of a lens aperture. Lens speed is determined by its lowest f-stop number (relative aperture). Typically, f/1.4 is considered to have a fast lens speed.Lens speed is a measurement of a lens' light-gathering ability. Faster lenses cost far more, have much larger lens elements and are heavier than slower lenses.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149580324766862442006-04-25T00:50:00.000-07:002006-06-06T00:52:15.313-07:00

The often preferred spelling for the beginning or opening of a story in journalism. The alternate spelling, lead, can be confused with the metal (in hot-type printing) or the information received by a tipster to help track information.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149580025839818452006-04-24T00:45:00.000-07:002006-06-06T00:47:05.976-07:00

Manual developing tanks which can accommodate four or more reels of film.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149579941363183602006-04-23T00:44:00.000-07:002006-06-06T00:45:42.970-07:00

A page in a publication designated to receive story continuations.

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Adjustment for the longer wavelength in which infrared light travels. On most lenses, a red dot or line is located between the aperture and focusing rings to direct the photographer to correct compensation for infrared light rays.See IR setting.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149579709215192992006-04-21T00:39:00.000-07:002006-06-06T01:55:24.493-07:00

Any (typically computer-generated) graphical elements which relay information quickly to the reader.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149579537677451082006-04-20T00:34:00.000-07:002006-06-06T00:39:02.323-07:00

1. Areas of a scene or photograph which are very bright (dense) and detract from the overall image.2. An active Wi-Fi location useful to wirelessly transmit electronic data from laptop computers.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149579261151324242006-04-19T00:32:00.000-07:002006-06-06T00:34:21.303-07:00

Anything consisting of height, width and depth as well as existing for a period of time.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149579147984284092006-04-18T00:30:00.000-07:002006-06-06T00:32:28.056-07:00

Light sensitive materials such as film or paper, which have been damaged due to unwanted exposure to light, chemicals or heat.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149578768775865082006-04-16T00:23:00.000-07:002006-06-06T00:26:09.683-07:00

The area where light rays converge in the camera body and where film or light-sensitive sensors (in digital cameras) are positioned to receive this light.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149578604625480052006-04-15T00:16:00.000-07:002006-06-06T00:23:24.683-07:00

Over- or under-exposure of a subject based upon its actual tonal value (as opposed to 18 percent gray) by additive or subtractive means to exposure suggestions from a camera's reflective light meter. Modern professional cameras allow this variance to be automatically calculated by the photographer into the reflective meter suggestion.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149578185870612472006-04-14T00:15:00.000-07:002006-06-06T00:16:26.003-07:00

In chemistry, when a chemical has reached the point where it can no longer maintain its chemical reactions.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149577984749034652006-04-13T00:12:00.000-07:002006-06-06T02:02:26.296-07:00

The act of increasing a negative's surface ratio, generally in the form a positive print.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149577385947150432006-04-12T00:01:00.000-07:002006-06-06T00:03:06.063-07:00

In single lens reflex camera focusing systems, those ground glass screens which are equipped with both a split-prism and a microprism.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149577266130192472006-04-11T23:58:00.000-07:002006-06-06T00:01:06.253-07:00

In spotting, allowing the spotting agent (or water-colors) to dehydrate in a wet painting pallet (plate with several bowl-like areas). Water can later be added in varying amounts to create a desired shade of gray (or combination of colors)

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149577125146113022006-04-10T23:57:00.000-07:002006-06-05T23:58:45.223-07:00

Time in which equipment is not available due to failure and/or repairs.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149577013504738702006-04-09T23:53:00.000-07:002006-06-05T23:56:53.560-07:00

A device used in photographic printing which allows for selective, local shading of light sensitive paper. The wand normally is composed of a thin, strong handle with a geometrically shaped item at the end. The shaped end shades the desired area to restrict light exposure accumulation upon photosensitive paper.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149576810254062372006-04-08T23:48:00.000-07:002006-06-05T23:53:31.373-07:00

A button or lever that allows a photographer to see the approximate depth of field at a given aperture. The preview button stops down the diaphragm from wide open to the current setting. Although this isn't completely accurate for calculating absolute depth of field, it is useful to analyze a scenes skeletal structure.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149576518170409062006-04-07T23:46:00.000-07:002006-06-05T23:48:39.340-07:00

Film at the beginning and end of a roll that hasn't been exposed to record images. Dead film is necessary in manual processing.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149576370809016882006-04-06T23:45:00.000-07:002006-06-05T23:46:37.573-07:00

A camera lens in advanced cameras which relays distance information to the camera's central processor. This information is calculated and used by dedicated TTL (through the lens) flash units to acquire proper subject exposure at a known distance.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149576077784447572006-04-05T23:40:00.000-07:002006-06-05T23:41:17.943-07:00

In use, refers to a positive image print of several negatives at a 1 to 1 ratio (created by placing the negatives in direct contact with light sensitive paper. Literally, refers to any image created on any media by means of direct contact.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149576001938805402006-04-04T23:38:00.000-07:002006-06-05T23:40:02.003-07:00

The configuration of lenses between the light source and negative platform which concentrates and directs light in the enlarger.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149575912921709462006-04-03T23:37:00.000-07:002006-06-05T23:38:33.116-07:00

A lens containing two or more convex, concave, or mirror surfaces.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149574905186194012006-04-02T23:21:00.000-07:002006-06-05T23:21:45.283-07:00

In a camera, the mechanical part which engages or releases the film advance sprocket of a roll film camera.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149574790944197742006-04-01T23:19:00.000-08:002006-06-05T23:19:51.000-07:00

To decrease the diameter size of an aperture.Opposite: open up.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149574691848739942006-03-31T23:17:00.000-08:002006-06-05T23:18:11.906-07:00

Examples of a journalists writing or photographs primarily from published sources such as newspapers. Clippings (or clips) are normally compiled into a string book by the journalist to solicit new assignments.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149574474074657782006-03-30T23:13:00.000-08:002006-06-05T23:14:34.130-07:00

A canister of compressed chlorodifluoromethane and dimethyl ether used to blow dust and lint off of negatives, camera equipment or other sensitive electronic items.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149574377788986542006-03-29T23:11:00.000-08:002006-06-05T23:12:57.896-07:00

Any synthetic web, leather, or cord used to secure a camera to the neck or wrist of a photographer. Assists in the elimination or reduction of impact damage on the camera.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149574243963016622006-03-28T23:10:00.000-08:002006-06-05T23:10:44.176-07:00

An error resulting from camera movement during exposure. The entire resulting photograph is blurred. This can be caused by camera speed being too low for the support (monopod, hand-held) used, bumping of the support (monopod, photographer, tripod), or other operator errors.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149574149477557982006-03-27T23:08:00.000-08:002006-06-05T23:09:09.583-07:00

A portable, generally soft-sided and padded, container for photographic equipment and supplies which are not in current use.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149574043353680382006-03-26T23:06:00.000-08:002006-06-05T23:07:23.436-07:00

Any cord or electronic wire connecting two or more components of a photographic equipment. See cable release, plunger and synch cord.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1149573906405568022006-03-25T23:03:00.000-08:002006-06-05T23:05:06.473-07:00

Parts of an image which becomes indistinct due to subject or camera movement during exposure.

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A lens mounting system in which the lens is inserted, given a small twist and locks into place. A useful system if rapid lens changes are necessary. See also screw mount.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1143130515029797022006-03-23T08:04:00.000-08:002006-03-24T00:12:26.446-08:00

Balance is a state of harmony of visual elements within an image. It strives to create an equilibrium of tone, weight and shape within an image on both sides of a vertical or horizontal axis.Balance applies to the totality of the image and how portions of the image fill the frame in a pleasing manner. Balance is not symmetry. An entirely symmetrical image is often balanced, but it is often boring

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1143129836995457052006-03-23T08:03:00.000-08:002006-03-24T00:11:48.510-08:00

The rule of fifths is similar to the rule of thirds. However, this rule is specifically for landscapes. This rule places a horizon line in the bottom or top fifth of the frame. Its goal is to emphasize either the sky or the landscape without distracting the viewer.See additional information at Address basic composition and the blog PhotoJournalism.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1143129763107778962006-03-23T08:02:00.000-08:002006-03-24T00:11:08.560-08:00

The rule of thirds is the most fundamental rule in photography. The rule dissects the image area into three equal parts laterally and vertically. The image is essentially cut into nine equal pieces.See additional information at Address basic composition and the blog PhotoJournalism.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1143129663063562002006-03-23T08:00:00.000-08:002006-03-24T00:12:56.823-08:00

Visual elements are distinct groupings of shapes, colors and tones. These elements can be arranged from different perspectives to make variations of a scene.See additional information at Address basic composition and the blog PhotoJournalism.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1143129396424369972006-03-23T07:55:00.000-08:002006-03-24T00:13:30.686-08:00

Compositional elements are color, line, shape, texture, volume and tone. These are the building blocks of every image.See additional information at Address basic composition and the blog PhotoJournalism.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1143129248718332742006-03-23T07:53:00.000-08:002006-03-24T00:14:03.916-08:00

Composition is the assembly of elements into a whole. In writing, it's the art of arranging words into sentences and applying grammatical rules. Photographically, it's an orderly arrangement of visual elements into an organized image with application of established rules.See additional information at Address basic composition and the blog PhotoJournalism.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1141632997986789932006-03-06T00:16:00.000-08:002006-03-06T00:20:12.343-08:00

The golden ratio is a mathematical equation determined by ancient Greek scholars to explain natural ratios. The ratio uses the irrational number 1.61803 to 1. It's still used in Western culture to create pleasing art ratios. In common practice, the ratio is roughly 2 to 3. It applies both vertically and horizontally.This ratio also happens to be the same approximate ratio as most film formats.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1127187363978604312005-09-19T20:35:00.000-07:002007-07-28T17:18:13.414-07:00

Base salary breakdown__________ &nbsp Base salary offer (B)__________ &nbsp Weekly salary (B / 52)__________ &nbsp Daily salary (B / 52 / 5)Deduct the following according to the linked instructions:Fixed costs__________ &nbsp Car allowance__________ &nbsp Phone allowance__________ &nbsp Pro membership fees__________ &nbsp Camera insurance__________ &nbsp Fixed costs totalVariable costs__________

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124153036470913172005-08-15T17:31:00.000-07:002008-08-16T10:42:29.454-07:00

Mark M. HancockXXX XXX-XXXX (home)XXX XXX-XXXX (cell)Street addressPlano TX 75093The Sample NewspaperXXXXX XXXXX, Assistant Managing EditorPO Box 55555City, State ZipAugust 15, 2005Dear XXXXX,I request consideration for the staff photojournalist position at The Sample Newspaper. I have been an award-winning staff photojournalist for The Current Employer daily newspaper since 1996.I have superb

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124088434019523442005-08-14T23:46:00.000-07:002005-08-14T23:47:14.020-07:00

Film which was improperly rolled onto a reel. As a result, the film sticks together during processing, and the connected portions of film become ruined due to chemical inactivity.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124088205614738472005-08-14T23:43:00.000-07:002005-08-14T23:43:25.613-07:00

The slang term refers to extremely dense negatives, which appear almost solid. Caused by overexposure and/or overdevelopment.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124088081071570182005-08-14T23:40:00.000-07:002005-08-14T23:41:21.073-07:00

A slang term for a large, cellophane wrapped, bundle of prepackaged film (usually 20 rolls). Bricks of film are normally purchased for a reduced price, quality control or in circumstances of rarity (infrared film is notoriously difficult to find during certain times of the year).

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124087959165051292005-08-14T23:39:00.000-07:002005-08-14T23:39:19.166-07:00

A small piece of light reflecting material attached to a flash unit which diffuses and reflects light to a desired scene or area of a scene.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124087936680367102005-08-14T23:38:00.000-07:002005-08-14T23:38:56.680-07:00

A large sheet of light reflecting material used to redirect light to desired (usually shadow) areas of a subject.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124087831372812382005-08-14T23:36:00.000-07:002005-08-14T23:37:11.373-07:00

Very bright colors which stand out from their surroundings, or otherwise call attention to themselves.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124087696121194082005-08-14T23:34:00.000-07:002005-08-14T23:34:56.123-07:00

Incorrect layman's term for enlargement of type or photographs.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124087591486919442005-08-14T23:32:00.000-07:002005-08-14T23:33:11.486-07:00

A tent-like structure which allows for photography of animals in their natural habitat without their being alerted of the photographer's presence. A form of sheltered camouflage.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124087308591428252005-08-14T23:28:00.000-07:002005-08-14T23:28:28.590-07:00

A camera perspective in which the photograph is taken from a high altitude or looking directly down.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124087101658875622005-08-14T23:24:00.001-07:002005-08-14T23:25:55.046-07:00

A slang term used to refer to extremely long telephoto lenses, especially those considered slow.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124087058748676282005-08-14T23:24:00.000-07:002005-08-14T23:24:18.746-07:00

The cylindrical container in which all glass and mechanisms of a camera lens are encased.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124086908473129912005-08-14T23:21:00.000-07:002005-08-14T23:21:48.473-07:00

In more sophisticated cameras, a function which automatically exposes multiple frames of film of a selected scene: 1 at correct metered reading, 2 at below correct meter readings (whole or partial stops), and 2 at above meter readings.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124086802480512312005-08-14T23:19:00.000-07:002005-08-14T23:20:02.480-07:00

Adjusts the size of the lens opening, the diaphragm.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124086729894509282005-08-14T23:18:00.000-07:002005-08-14T23:18:49.893-07:00

A project conducted by Eadweard Muybridge in motion studies. Through the use of high-speed emulsions, and multi-camera set ups, he was able to stop constant motion at various stages.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124086365971534822005-08-14T23:12:00.000-07:002005-08-14T23:12:45.973-07:00

A pen-shaped, atomizing spray gun which uses air as a propellant for color washes or paint. It has an adjustable nozzle for narrow or wide coverage. Used in color retouching.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1124086201055695232005-08-14T23:09:00.000-07:002005-08-14T23:10:01.056-07:00

Paper or ragboard which is used to archive photographs. The paper is laid between the photograph and its overmat. Because the paper contains no acids, it's not likely to damage or shorten the life of the image.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1109745506647012992005-03-01T22:37:00.000-08:002005-03-01T22:40:53.736-08:00

A billing schedule determine when a client pays for various services and rights offered by PJs. The schedules determine the time of payment and sets the price structure.Also see payment on acceptance and payment on production.See additional information at Understand billing schedules and the blog PhotoJournalism.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1109744743854281762005-03-01T22:24:00.000-08:002005-03-01T22:32:06.626-08:00

Payment on production means the buyer will pay an artistic work creator once copyright work has been physically printed for publication. Typically, the payment is tied to reproduction rights licensing from the work’s creator.Occasionally, the buyer may chose not to reproduce the work. In such cases, the work's creator is either not paid or paid a lesser "kill fee" in lieu of full payment.Also

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1109743440351615452005-03-01T22:01:00.000-08:002005-03-01T22:28:30.813-08:00

Payment on acceptance means the buyer pays an artistic work creator either as the copyright work is received or once it has been approved for publication. Typically, the payment is tied to reproduction licensing rights from the work's creator.Also see payment on production.See additional information at Understand billing schedules and the blog PhotoJournalism.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1109742206377922572005-03-01T21:39:00.000-08:002005-03-14T17:05:28.890-08:00

A copyright is the exclusive, legal right of ownership of and control over a creative work. Ownership of a copyright grants the owner exclusive rights to reproduce, publish, license, sell and otherwise exploit an artistic work. Works granted such rights by law after January 1, 1978 are protected for the creator's lifetime plus 70 years after the creator's death.See additional information at

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1109525705847060542005-02-27T09:34:00.000-08:002005-02-27T09:35:55.110-08:00

In photography, the term refers to monochrome film positives, negatives and prints. In printing it refers to reproduction in one color (black) regardless of paper color. It is abbreviated as B&W.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1109525611920982782005-02-27T09:23:00.000-08:002005-02-27T09:36:40.616-08:00

B&W is an abbreviation for black and white. In photography, the term refers to monochrome film positives, negatives and prints. In printing it refers to reproduction in one color (black) regardless of paper color.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1109524988300337732005-02-27T09:21:00.000-08:002005-02-27T09:23:08.300-08:00

On diffusion enlargers, an accessory filter holder is a bracket below the lens which holds contrast filters.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1109524515068123202005-02-27T09:14:00.000-08:002005-02-27T09:19:12.490-08:00

An accessory bag is a portable, generally soft-sided and padded, container for accessories, equipment and supplies which are not in current use.Also called a camera bag.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1109524434467263272005-02-27T09:12:00.000-08:002005-02-27T09:16:50.166-08:00

1. Any of numerous devices which can be added to the camera body or lenses (such as flash units, winders, filters, etc.). 2. Any item or equipment held within the confines of an accessory bag (excluding the camera body).

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1109524206317890372005-02-27T09:09:00.000-08:002005-08-14T23:04:28.656-07:00

In photographic film development, an accelerator is an alkaline salt is added to speed chemical reactions and shorten the processing time. It specifically increases the activity of the reducing agent.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1108790349124643882005-02-18T21:16:00.000-08:002005-03-01T22:06:04.170-08:00

A spreadsheet is an accounting form on which income and expense reports are created. Spreadsheets allow for tabulation and analysis of related accounting or other mathematical data. Electronic spreadsheets allow the user to create formulas to perform calculations automatically on a computer. Data from electronic spreadsheets can then be imported to other spreadsheets or programs.See additional

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1107701140403037512005-02-06T06:45:00.000-08:002005-02-06T06:55:36.383-08:00

A dit is an abbreviation for digital camera. Although dits are only capable of making digital images, some film cameras accept digital backs to allow film or digital image capture. Dit is also used as an abbreviation for anything digital: dit prepress, dit manipulation, dit ethics, etc.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1106776236699629132005-01-26T13:49:00.000-08:002005-01-27T17:50:26.233-08:00

David Leeson was born in Abilene, Texas on October 18, 1957. He is known for covering major conflicts throughout the world and advancing the use of video as a means of storytelling. He has been a senior staff photographer at The Dallas Morning News since 1984. Prior to DMN, he was a photojournalist at The Times-Picayune/The States-Item in New Orleans (1982-84) and the Abilene Reporter News (1977

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1105979932559413832005-01-17T08:38:00.000-08:002005-03-01T22:11:39.673-08:00

Photojournalism is the act of reporting news stories through the use of factual photography with supporting text (often in the form of a cutline).See additional information at photojournalist and additional information at the blog PhotoJournalism.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1105972650627760782005-01-17T06:36:00.000-08:002005-03-01T22:12:34.760-08:00

Diffusion is the act of widely spreading or scattering light over an area. When dealing with light, any variety of translucent materials can be used to redirect light from a point source.See additional information at Soften artificial light and the blog PhotoJournalism.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1105972114282909212005-01-17T06:23:00.000-08:002005-03-01T22:13:27.926-08:00

A professional photojournalist is a person who makes her or his living by reporting news stories through the use of factual photography with supporting text (often in the form of a cutline).See additional information at What is a photojournalist? and the blog PhotoJournalism.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1103593666876363482004-12-20T17:44:00.000-08:002005-03-01T22:14:13.563-08:00

A flash bracket is a metal or durable plastic frame equipped to mount both a camera and a flash. It increases the distance from the flash axis to the lens axis while maintaining directional parity and increasing light parallax.Flash brackets are most commonly used for sports, wedding and event photography.Also see Light parallax.See additional information at "Eliminate red eye" and the blog

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1103593020920195842004-12-20T17:34:00.000-08:002004-12-20T17:50:59.860-08:00

Light parallax is the difference between the view of object through a direct camera lens and the angle of light from a flash unit. Since the flash is separated from the lens on a fixed system, the closer the photographer is to the subject, the more parallax will occur between the flash angle and the lens axis. Unlike optical parallax, a greater degree of light parallax is desirable. Also see

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1103592873748909402004-12-20T17:33:00.000-08:002004-12-20T17:37:49.143-08:00

Parallax (optical) is the difference between the view of object through a direct camera lens and a separate viewing eyepiece. It can cause unexpected and undesirable cropping of the intended image area. Parallax is most common in twin-lens, rangefinder and point-and-shoot cameras. It is not applicable to single lens reflex or view cameras. Also see Light parallax.

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.comtag:blogger.com,1999:blog-8406376.post-1103592312712938812004-12-20T17:23:00.000-08:002004-12-20T17:52:03.990-08:00

Cameras equipped with red-eye reduction systems emit a series of pre-flashes or a beam of light to try to cause the subjects' eyes to dilate. This sometimes works, but doesn't work as well as moving the flash away from the lens axis. See additional information at "Eliminate red eye."

Mark M. Hancockhttp://www.blogger.com/profile/09437709649380849793noreply@blogger.com